If you haven’t been to the new Saatchi Gallery yet, you should go just to see the building. The marriage of old and new is seamless and really quite stunning. New glass additions meet fabulous old brick facades, now resurrected as interior walls. Walkways criss-cross corridors and the crisp, perfect whiteness of every wall provides the ideal blank canvas for each and every exhibit.

The 13 galleries currently play host to Abstract America – the reason why you should visit the new Saatchi space now. Working in a creative industry, it is always a thrill to see artistic talent that really inspires. Not all of it is necessarily pleasing to the eye: some of it makes you giggle, some of it makes you wince and the odd piece – for me, anyway – brought to mind that wonderful Hans Christian Anderson fairy tale. Oh, what was it called?
Anyway, the whole is very, very pleasing indeed and well worth the trip. My two favourites – both of which were truly different but outstanding for their individuality – were by Guerra de la Paz and Jacob Hashimoto. The first features disturbingly realistic legs of several people who appear to be buried in a huge heap of discarded clothing. You genuinely feel that, should you tickle one of them, the thing would go down leaving all of them giggling because you almost fell for it. It’s not a living room piece but it’s well worth seeing.
The second was, for me, more the kind of art that you’d actually love to have in your house if you had a wall big enough. Continent, as it is called, is an incredible creation of beautifully designed rice paper swatches and bamboo suspended by a wooden frame on nylon thread. But that does it no justice at all. It has colour, depth, skill and passion oozing out of it and it really was a joy to stand and stare.
Although my visit was for sheer pleasure I couldn’t help thinking that here was the most wonderful event space. So go for pleasure, book it for business, you won’t be disappointed.
